Thabang Garogwe’s heartfelt cry for breakthrough
Veteran artist Thabang Garogwe has borne his soul in his latest single, “Nkutlwela Botlhoko Morena” (Lord, Have Mercy on Me), a poignant blend of gospel and Afro-jazz that speaks directly to the universal experience of struggle and unanswered prayers.
Released in collaboration with Soul Haven Productions and featuring the captivating guitar work of Tabona Msk, the song is a deeply personal reflection on life’s persistent challenges.
Garogwe shares the raw emotion behind the track, explaining, “After looking at my life, I realized how much effort I’ve made without seeing the success I long for.” This sentiment resonates powerfully with many Batswana who find themselves in similar battles, pouring their hearts and souls into endeavors only to feel like silent observers on the sidelines of success.
The lyrics pose a question that many have whispered to themselves: “Modimo, I’ve cheered and celebrated the achievements of others; I’m left questioning my own journey. How many times can one offer applause while yearning for acknowledgment? Dear Lord, I ask when will it be my turn? When will my sacrifices culminate in triumph? If you ever had a prayer like mine, this is for you.”
Despite the pain woven into its melody, “Nkutlwela Botlhoko Morena” also carries a message of unwavering hope. “It doesn’t matter how long it takes; in the end, God answers prayers,” Garogwe affirms.
The song aims to remind listeners that their divine purpose remains unaltered by challenges, viewing obstacles as temporary hurdles designed to test resolve. It’s a call to embrace one’s calling with unwavering strength, to rise above, and to stay focused, knowing that true potential lies beyond any transient struggle.
With positive radio feedback and a music video currently in production, Garogwe believes the song’s timeless message will connect with audiences for years to come. He describes it as his “most personal work yet,” a genuine “prayer for breakthrough.”
Thabang Garogwe is no stranger to the public eye, having often found himself amidst drama and controversy. Last year, he was embroiled in a highly publicized dispute with veteran saxophonist Lister Boleseng, who aggressively accused Garogwe of stealing his melody.
However, it emerged that the melody in question had been released in 2013, predating Boleseng’s version by many years. Social media quickly became a battlefield as the two artists engaged in a public fight to prove their innocence, with the dramatic unfolding of events even reaching the attention of the Copyright Society of Botswana (COSBOTS).
Towards the end of last year, Garogwe again made headlines after publicly accusing the Botswana Musicians Union (BOMU) of failing its artists. In a letter addressed to BOMU president Phemelo Lesokwane, Garogwe stated that the organization consistently misleads the government into believing the creative sector is thriving, when in reality, many artists live in “abject poverty.” He firmly declared that this unacceptable situation should no longer be tolerated.
Despite these public challenges, Thabang Garogwe continues to channel his experiences into his music, offering a voice to the struggles faced by many, and reinforcing his commitment to his art and his community.
