Entertainment

June 25 2025

Laughter takes flight at Airport Junction Mall

Localthreads.online Entertainment, Lifestyle 0

LAUGHTER TAKES FLIGHT AT BITES AND GIGGLES COMEDY NIGHT

bitsegiggle-localthreads2025-360x360 Laughter takes flight at Airport Junction Mall

Comedy enthusiasts are getting ready for an evening of side-splitting humor and delectable treats as Airport Junction Shopping Centre prepares to host its much-anticipated “Bites and Giggles Comedy Night.”

Bitse-Giggles-Localthreads-360x360 Laughter takes flight at Airport Junction Mall

“Bites and Giggles” boasts an impressive roster of comedians, ranging from seasoned legends to dynamic rising stars, showcasing a vibrant mix of cultures and comedic styles.

nightshow-localthreads2025-360x360 Laughter takes flight at Airport Junction Mall

Set to transform Friday night into a vibrant celebration of comedy, culture, and cuisine, this event promises an uproarious blend of local and international stand-up acts on Friday, July 4th, 2025, at 20:00hrs.

Bites-giggles-LocalThreads-360x360 Laughter takes flight at Airport Junction Mall

Headlining the night are two formidable talents: Botswana’s own Thapelo Malani, celebrated for his fearless wit and ingenious ability to transform life’s ironies into comedic gold.

Along side with South African legend Roni Modimola, whose razor-sharp humor and effortlessly smooth delivery have earned him widespread acclaim across the continent.

Adding to the stellar lineup, the stage will also be lit up by Boldwin Bals, Botswana’s smooth-talking crowd favorite, known for his clever punchlines and engaging stage presence.

Aiden Ho, hailing all the way from China, will be bringing a unique global perspective and unexpected hilarity to the Gaborone stage, while Rekunde, the undisputed “no-nonsense queen of comedy,” will be celebrated for her bold humor and magnetic presence.

Kudakwashe, Zimbabwe’s no-filter funny man, whose energetic performances and keen satire are guaranteed to leave audiences howling with laughter.

Whether a fan’s comedic palate prefers dry wit, insightful observational humor, or side-splitting storytelling, the diverse acts on the bill ensure there’s something to tickle everyone’s funny bone.

“Bites and Giggles” is designed to be more than just a comedy show; it’s an immersive night out for the community. Attendees are encouraged to arrive early and delve into the culinary delights offered by Airport Junction’s diverse array of food vendors.

Comic lovers are invited to grab a delicious bite, soak in the relaxed, inviting weekend energy, and settle in for an evening where every joke lands perfectly, and every moment is crafted to be memorable.

This is said to be the comedy night Gaborone has been eagerly awaiting, an evening where laughter is the universal language, and good vibes are unequivocally guaranteed.

June 25 2025

Culture Spears hints at new music, exciting collaborations

Localthreads.online Art and Culture, Entertainment 0

Culture Spears hints at new music, exciting collaborations

After years of steadfastly preserving Setswana culture through their vibrant music, multi-award-winning traditional group Culture Spears continues to lead the charge. This week, the iconic ensemble went live on social media from the studio, exciting fans by hinting at and even sampling an upcoming new song.

Lead singer and founding member, Kabelo Mogwe, brought the entire team together, later requesting the producer to play a snippet of their unreleased track. While remaining somewhat elusive about the exact launch date, Mogwe assured fans that the release would be “sooner than later.”

“We are coming in stronger and fiercer like before,” Mogwe declared. “The name of the song is ‘Ha Dina Mahala,’ and it is such a poetic song that speaks to what adults will understand better. It is still cooking and once ready and ripe, it will be available on all digital platforms.”

Adding to the anticipation, Mogwe hinted that another song is also in the works, featuring a collaboration with another artist. Though cagey with specifics, the artist is strongly suggested to be one of South Africa’s prominent “Lekompo” artists, with speculation pointing towards either Makhadzi or Shandesh.

The tantalizing piece of the song shared during the live session featured the lyrics “Re bina Lekompo,” loosely translated as “We are dancing Lekompo,” further fueling excitement about this cross-border collaboration.

Culture Spears has, over the years, become an epitome of cultural preservation. The troupe has travelled extensively across the globe, proudly showcasing Botswana’s rich traditional music and captivating stage presence. Their enduring popularity and visible affection across Southern Africa firmly establish them as the leading traditional dance group in the country.

Their enduring appeal was vividly demonstrated this past weekend when Culture Spears was invited to perform at the Clash of Legends football extravaganza in Francistown. A trending video from the event captured South African legendary footballer, Itumeleng Khune, joyfully dancing alongside the group to their all-time hit, “Ntjanyana Borikhirikhi.” Khune later shared the video on his Facebook account, captioning it, “Fun was had in Francistown. Culture Spears is my all-time favorite group. Such beauty.”

The group recently returned from a warmly received visit to the Northern Cape in South Africa. The Economic Freedom Fighters (EFF), a prominent opposition political party in South Africa, has shown consistent fondness for Culture Spears, regularly inviting the traditional group to perform at their political rallies almost every year.

Culture Spears was formed in 1991 under Kulenyane Studios. They boast a formidable discography of five albums: Korone, Kulenyane, Khudu, Kuweletsana, and Kulanche. Their album Kulenyane, produced by Zimbabwean producer Johane Maseko, was an instant sensation, selling an astounding 60,000 units in its early stages.

Over the years, the group has grown exponentially, earning the prestigious Presidential Award of Merit. In a testament to their international recognition, they were invited by former South African president, Thabo Mbeki, to perform for him in 2008.

As Culture Spears prepares to unleash new music, their continued dedication to their craft and their role as cultural ambassadors remains unwavering, promising more timeless contributions to the African music landscape.

WhatsApp-Image-2025-06-24-at-20.25.43-1024x640-600x375 Culture Spears hints at new music, exciting collaborations

June 25 2025

DK SKIZOH BW: From Botswana’s spotlight to Africa’s soundwaves

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DJ Skizoh BW is rapidly becoming a household name across the African continent, a journey that began with a microphone, a beat, and a crucial platform: the Department of Broadcasting Services (DBS) Roadshow Season 1.

As one of the standout finalists from the show, the roadshow didn’t just thrust Skizoh into the limelight; it unlocked an extraordinary musical path marked by significant international collaborations and widespread cross-border recognition.

“The DBS roadshow played a huge role in exposing me to the right people,” Skizoh reflects, acknowledging the pivotal moment in his career. “That’s where I met DJ Fresh. We ended up collaborating on a track featuring my brother HRB Botizo. That platform allowed me to network and build relationships with creatives, which led to me being discovered and signed by Makhates Production, a South African-based label.”

This pivotal signing with Makhates Production opened a floodgate of opportunities for collaborations. Since then, Skizoh has shared studio magic with renowned artists such as Ntate Stunna, Dalom Kids, and Master KG.

His recent hit singles, featuring DJ Kap, Star Healer, and Queen the Vocalist, have not only resonated with fans but have also earned prime spots on major continental music channels like Trace Africa and Channel O. His distinctive sound continues to make significant waves across numerous South African radio stations.

The creation of his breakout track, “Ngwana o Mopila,” with DJ Kap and Queen the Vocalist, stemmed from a simple act of artistic admiration. “I reached out to Queen after hearing her on one of her songs, and the rest was magic,” he shares, highlighting the organic nature of his creative process.

When asked about the possibility of working with other big names like Prince Benza or Eemoh, Skizoh’s humility shines through. “I think the work speaks for itself. I believe in divine timing. When it’s time, God makes it happen.” This philosophy underscores his patient yet persistent approach to his career.

Currently based in South Africa, Skizoh describes the music scene there as fast-paced and demanding, yet incredibly inspiring. “You really have to be on top of your game,” he asserts. Despite the challenges of securing consistent bookings and meeting the high standards of brand presence, he remains undeterred.

“The reception has been amazing, I’ve built a massive following, and the love is overwhelming.” His confidence in his craft is evident: “My sound is versatile. I don’t stick to one genre. Whatever I touch turns to gold.”

Looking ahead, DJ Skizoh BW has clear aspirations for future collaborations. Locally, he dreams of working with Lioness Ratang, while internationally, his eyes are set on celebrated artists like Aymos, Samthing Soweto, or Young Stunna.

With more “fire music” and significant brand activities on the horizon, DJ Skizoh BW is poised to not only dominate the charts but also become a recognizable face behind the beloved music he continues to create.

June 25 2025

Boago Fenju continues to take up space

Localthreads.online Entertainment, Lifestyle Music Botswana 0

BOAGO FENJU JOINS ELITE RANKS OF AFRICAN MUSIC ACADEMY

BoagoFengu-Localthreads Boago Fenju continues to take up space

Boago-localthreds Boago Fenju continues to take up space

fenguBoagolocalthreds Boago Fenju continues to take up space

BoagoLocalThreadsMusic Boago Fenju continues to take up space

The Botswana Musicians Union (BOMU) is celebrating a monumental achievement as one of its own, Boago Fenju, has been appointed to the prestigious Honorary Committee of the African Music Academy (AMA), headquartered in France.

This groundbreaking recognition follows a highly competitive selection process that saw 360 artists from across the continent vying for positions. Established in 2014 under French law, the AMA is a continental initiative dedicated to promoting and advancing pan-African music.

It focuses on education, competition, professional development, and internationally recognized awards, ensuring the African musician remains central to both the cultural message and musical structure.

Boago Fenju, representing Botswana, emerged victorious in the Songwriters Category, triumphing over 53 nominees, including South Africa’s renowned Siphokazi.

She stood out among five other exceptional Batswana creatives who participated in the selection process: Kearoma Rantao, Suffocate, Mmurubele, Han-C, and Fella.

Her appointment to the AMA Honorary Committee places her in an elite group of continental talent. She joins Miguel Hernandez (Venezuela – Composers), Rich Bizzy (Zambia – Performers), Lulu (Malawi – Musicians), ChawaBeats (Malawi – Producers), and Lé Zulu (Burkina Faso – Managers).

This historic milestone is not just a celebration of Fenju’s individual talent and perseverance; it also signals a significant shift in the regional and continental recognition of Botswana’s vibrant music scene.

BOMU Secretary General Rasina Rasina notes, “Interestingly, we have been doing more than well in the international space than we give ourselves credit for. Botswana artists are part of many global Halls of Fame; we just don’t celebrate ourselves. BOMU is going to ensure that Boago Fenju and the Botswana creative space milks this opportunity dry.”

The official designation event for the Honorary Committee is set to take place in France, marking yet another international appearance for Botswana’s music elite. This moment will serve as a powerful source of inspiration for local artists, showcasing the global potential of their craft.

As Botswana’s cultural footprint continues to expand across the African map, Fenju’s groundbreaking achievement stands as a powerful reminder of the immense creative power residing within the nation, and the critical importance of championing it on every possible stage.

June 24 2025

Maga Zeep unpacks artist managers crucial roles

Localthreads.online Entertainment, Latest Stories 0

In the unpredictable world of entertainment, it’s easy for artists and DJs to fall into the trap of thinking they can go it alone. With direct messaging and social media, cutting out the manager or booking agent might seem like a smart move, more money in the pocket, more direct control.

But marketing consultant, artist manager, and certified music PR officer, Maga Zeep, has seen firsthand how this seemingly savvy shortcut can quietly sabotage an artist’s career in the long run.

A manager or booking agent is far more than just someone who finds gigs. They are professional buffer, shrewd negotiator, and, most importantly, an artist career’s vital filter.

When things inevitably go sideways, say a late payment, sound issues, or lighting glitches, manager knows how to handle it. They communicate challenges with diplomacy, ensuring artist needs are met without burning crucial bridges. They preserve professional image while an artist focuses on the art.

When artists try to handle these situations directly, it often goes south. Emotions get involved, professional language can fall short, and a minor issue can quickly escalate due to tone or misinterpretation. Imagine saying, “If the sound isn’t fixed, I’m not performing.” Valid point, perhaps, but it comes off as confrontational and can sour a relationship.

WhatsApp-Image-2025-06-24-at-11.55.52-1024x683-690x498 Maga Zeep unpacks artist managers crucial roles

A manager, on the other hand, would say, “We’re experiencing some technical difficulties that could affect the performance. Can we please address this urgently so we can deliver the best show possible?” Same message, entirely different impact.

Clients also often feel more comfortable giving constructive feedback to a manager than directly to the artist, which keeps the relationship smooth and productive.

“I’ve heard it countless times. An artist is at the top of their game, the spotlight is bright, and they start thinking, “I don’t need a middleman. I don’t need a manager.” They start to see management as a burden, a drain on their earnings. But let’s be real, there isn’t a single industry in the world that operates without someone behind the scenes pushing things forward,” he said.

A manager isn’t just “hanging around.” A manager is actively out there hunting for bookings, diligently building the brand, tirelessly working to get an artist on the right lineups, and making sure their name stays relevant even when the initial hype begins to fade. They are the constant force driving the career forward.

“I’ve been there. I’ve managed people, helped build careers from the ground up, and seen artists explode onto the scene. And then, I’ve watched them turn around and say they can do it alone, undermining the very people who got them there. But after the industry inevitably humbles them, when the bookings dry up and the calls stop coming, many return, realizing the true value of what they dismissed. They come back and say, “I want to work with you again.”

Cutting out the manager isn’t just about saving a commission; it’s about sacrificing protection, diplomacy, and ultimately, longevity. Artists should be free to focus solely on their passion: creating, performing, and connecting with their audience. The business side, the negotiations, the brand development, the crisis management, that’s where a dedicated manager excels.

“This division of labor isn’t a weakness; it’s a strategic partnership that allows both sides to thrive. It’s how enduring careers are built and sustained. Let artists focus on the craft. Let managers manage the business. That’s how careers are built and sustained,” said Maga Zeep.

WhatsApp-Image-2025-06-24-at-11.55.51 Maga Zeep unpacks artist managers crucial roles

WhatsApp-Image-2025-06-24-at-11.55.51-1-683x1024-561x750 Maga Zeep unpacks artist managers crucial roles

June 24 2025

Thabang Garogwe’s heartfelt cry for breakthrough

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Veteran artist Thabang Garogwe has borne his soul in his latest single, “Nkutlwela Botlhoko Morena” (Lord, Have Mercy on Me), a poignant blend of gospel and Afro-jazz that speaks directly to the universal experience of struggle and unanswered prayers.

Released in collaboration with Soul Haven Productions and featuring the captivating guitar work of Tabona Msk, the song is a deeply personal reflection on life’s persistent challenges.

Garogwe shares the raw emotion behind the track, explaining, “After looking at my life, I realized how much effort I’ve made without seeing the success I long for.” This sentiment resonates powerfully with many Batswana who find themselves in similar battles, pouring their hearts and souls into endeavors only to feel like silent observers on the sidelines of success.

The lyrics pose a question that many have whispered to themselves: “Modimo, I’ve cheered and celebrated the achievements of others; I’m left questioning my own journey. How many times can one offer applause while yearning for acknowledgment? Dear Lord, I ask when will it be my turn? When will my sacrifices culminate in triumph? If you ever had a prayer like mine, this is for you.”

Despite the pain woven into its melody, “Nkutlwela Botlhoko Morena” also carries a message of unwavering hope. “It doesn’t matter how long it takes; in the end, God answers prayers,” Garogwe affirms.

The song aims to remind listeners that their divine purpose remains unaltered by challenges, viewing obstacles as temporary hurdles designed to test resolve. It’s a call to embrace one’s calling with unwavering strength, to rise above, and to stay focused, knowing that true potential lies beyond any transient struggle.

With positive radio feedback and a music video currently in production, Garogwe believes the song’s timeless message will connect with audiences for years to come. He describes it as his “most personal work yet,” a genuine “prayer for breakthrough.”

Thabang Garogwe is no stranger to the public eye, having often found himself amidst drama and controversy. Last year, he was embroiled in a highly publicized dispute with veteran saxophonist Lister Boleseng, who aggressively accused Garogwe of stealing his melody.

However, it emerged that the melody in question had been released in 2013, predating Boleseng’s version by many years. Social media quickly became a battlefield as the two artists engaged in a public fight to prove their innocence, with the dramatic unfolding of events even reaching the attention of the Copyright Society of Botswana (COSBOTS).

Towards the end of last year, Garogwe again made headlines after publicly accusing the Botswana Musicians Union (BOMU) of failing its artists. In a letter addressed to BOMU president Phemelo Lesokwane, Garogwe stated that the organization consistently misleads the government into believing the creative sector is thriving, when in reality, many artists live in “abject poverty.” He firmly declared that this unacceptable situation should no longer be tolerated.

Despite these public challenges, Thabang Garogwe continues to channel his experiences into his music, offering a voice to the struggles faced by many, and reinforcing his commitment to his art and his community.

June 24 2025

Mpho Sebina, Lioness Ratang rake a nomination at Basadi in Music Awards

Localthreads.online Entertainment, Lifestyle, Top Stories Music Botswana 0

Mpho Sebina, Lioness Ratang nominated at Basadi in Music Awards

Botswana continues to solidify its reputation as a powerhouse of musical talent in Southern Africa, consistently producing exceptional songwriters and songstresses who craft masterpieces that resonate far and wide.

This commitment to artistry is now being celebrated on a regional stage, with two of Botswana’s phenomenal vocalists, Mpho Sebina and Lioness Ratang, earning a prestigious nomination at the 4th Annual Basadi in Music Awards in South Africa.

These awards, launched in 2022, were born from a powerful vision: to spotlight, celebrate, and elevate the incredible women making waves across the entire music industry spectrum. From singers and rappers to DJs, composers, producers, and the visionary talents working behind the scenes, the Basadi in Music Awards honor the full breadth of female excellence in the music ecosystem.

Mpho Sebina, a true “dynamite” in the industry, has left an indelible mark with her soulful voice and deeply relatable lyrics. Her discography boasts well-loved hits such as “Too Late for Mama,” “Dinaledi,” “Dikeledi,” “Motho ke Motho,” and “Dumelang.” Her collaboration with fellow Motswana artist Samantha Mogwe on the hit song “Marang” further cemented her widespread appeal.

Lioness Ratang, living up to her name, continues to “roar” with a steadily growing and impressive presence. She burst onto the South African music scene with her hit song “Nako Tsele” and has continued to dish out captivating tracks like “Call Me” and “Mwari Weh” (featuring Exclusive Drumz and Mr Brown). Her gradual growth into a well-rounded artist has taken the South African industry by storm.

Now, these two powerhouses have joined forces, and their collaboration on the song “Lioness” has earned them a coveted nomination in the “Collaboration of the Year” category at the Basadi in Music Awards.

WhatsApp-Image-2025-06-24-at-11.54.31-683x1024-535x801 Mpho Sebina, Lioness Ratang rake a nomination at Basadi in Music Awards

WhatsApp-Image-2025-06-24-at-11.54.32-578x1024-262x464 Mpho Sebina, Lioness Ratang rake a nomination at Basadi in Music Awards

WhatsApp-Image-2025-06-24-at-11.54.35-819x1024-365x456 Mpho Sebina, Lioness Ratang rake a nomination at Basadi in Music Awards

They will be battling it out with formidable South African talents, including Cici and Liema (for “Impumelelo”), Boohle, Dee Koala, and K Mat (for “Iskhathi Sam Manje”), Nosipho, Cici, and Liema Pantsi (for “Home”), as well as Babalwa M and Yallunder (for “Mthuthuzeli”).

The 4th Annual Basadi in Music Awards will culminate in a grand ceremony at the Joburg Theatre on August 2nd, 2025, under the inspiring theme “The Symphony of Harmony.”

This significant nomination for Mpho Sebina and Lioness Ratang is a clear and resounding indication that Botswana’s music is not just participating on the regional stage; it’s going for gold. Their recognition truly embodies the spirit of “music without borders,” showcasing the boundless talent emanating from the heart of Southern Africa.

LIONESS RATANG

MPHO SEBINA

LIONESS RATANG

MPHO SEBINA

June 20 2025

Mafitlhakgosi ahead of the pack in cultural showcase

Localthreads.online Art and Culture, Entertainment 0

Culture finds heartbeat in Mafitlhakgosi

There is an old neighborhood in Gaborone, Old Naledi, affectionately known as Zola Mdeni, and in its heart, there’s a vibrant pulse that beats to the rhythm of ancient drums and modern melodies. It’s the Mafitlhakgosi traditional group, a name whispered with reverence and shouted with joy, a true titan in the arena of cultural preservation.

This isn’t just a dance troupe; it’s a living, breathing testament to Botswana’s rich heritage, a moving canvas painted with the hues of tradition and the vibrant strokes of contemporary flair. They are, without a shadow of a doubt, a force to be reckoned with, turning every performance into an electrifying spectacle and every stage into their personal kingdom.

It’s been said, and wisely so, by the venerable Sir Seretse Khama, that “A nation without a culture is a lost nation.” These words, as true today as they were then, resonate deeply within the soul of Mafitlhakgosi.

Like steadfast sentinels, they stand shoulder to shoulder with other cultural custodians, dedicating their very being to ensuring that Botswana’s cultural flame never flickers. Culture, after all, is the anchor that moors people to their past, a shared tapestry of values that weaves a sense of belonging, crucial threads in the very fabric of a nation’s well-being and burgeoning spirit.

One particular Wednesday evening, the mundane cloak of a typical weekday was cast aside. A short journey into the winding paths of Zola Mdeni unfurled into an afternoon steeped in cultural exhibition, brimming with pride, laughter, and the irresistible urge to dance.

From a distance, the air throbbed with the hypnotic sounds of African rhythms, a symphony met by a thunderous ovation of clapping hands, all moving in perfect, unison synchronicity. The drums, those venerable instruments of old, added a rich, earthy flavor, completing a showcase that was nothing short of magical.

Bystanders, caught in the spell, wore smiles of pure awe, their spirits lifted to cloud nine by the young boys and girls who had, with an almost uncanny intuition, perfected the delicate art of blending traditional dance with Lekompo, the biggest musical sensation of the moment.

These are no ordinary performers; they are culture enthusiasts, having thrown their hats into the ring, dedicating their lives to the twin passions of entertainment and preservation. With every graceful leap and powerful stomp, they showcase dance in a manner so unique, so inspiring, that it truly is a sight for sore eyes.

Lined up with military precision, their eyes alight with anticipation, the DJ worked his magic from a humble Bluetooth speaker. From it emanated the melodic, soul-stirring voice of Lekompo superstar, the incredible Shandesh. The song of the hour, “Sdutla” or “Slender,” has been making waves, a veritable tidal wave across all radio stations, dominating social media feeds, and even the youngest among us can chant its lyrics, catching you off guard when you least expect it.

Mafithlakgosi-Localthreds-1-scaled Mafitlhakgosi ahead of the pack in cultural showcase

The audacious marriage of these two seemingly disparate genres might, at first blush, seem like a riddle wrapped in an enigma to the uninitiated. Yet, for this intrepid troupe, it’s a profound declaration, a way of embracing two cultures that dance on the borders, a living, breathing definition of culture without borders.

The fluid motion of their feet, their bodies glistening, oiled with Vaseline, caught the golden rays of the setting sun. And though a temperamental street light flickered on and off like a mischievous sprite, it only added to the ethereal glow, bathing the scene in a warm, inviting hue.

Even with the street light playing its whimsical game, the environment remained bathed in gold, a perfect complement to the rich, brown leather outfits worn by the young dancers.

They were adorned in Dibaga, Makgabe, and Matlhaka, traditional ornaments crafted from indigenous products, each piece meticulously chosen to elevate their already captivating looks. On their heads, bands woven from small, vibrant beads formed the proud colors of Botswana, a crown of cultural identity.

As the DJ spun the familiar tune, the focused ones, those who lived and breathed the music, were already cheering, singing at the top of their lungs, forming a graceful formation that others eagerly followed.

They knew every lyric, every beat, and at the very front, a young woman, embodying the spirit of Shandesh herself, led the charge. She was the artist, and in that moment, she was afforded the utmost respect, her performance a heartfelt tribute.

After a vigorous session of rehearsals, the party, alas, was officially over. Mafitlhakgosi is not merely a dance group; it’s a nurturing ground for school-going children, and so, with books calling, they needed to wrap up their artistic endeavors.

This group, more than anything, keeps these young minds engaged, away from the allure of the streets, instilling in them an unwavering trust and belief in the arts. It teaches them, with every step and every beat, that their talents are not just for show but can be a true source of livelihood and a means of survival, a truth worth its weight in gold.

It is precisely these kinds of initiatives, these platforms that sprout from the grassroots, that are the lifeblood of talent development. By nurturing these tender shoots, countless social ills are nipped in the bud, and children grow to not only know but deeply appreciate that their unique talents are equally important, valuable, and deserve to shine.

June 20 2025

Issa Sisdoh’s rise to stardom

Localthreads.online Art and Culture, Entertainment Music Botswana 0

Issa Sisdoh’s soulful journey of healing through music

Issa-4-1024x1024-600x600 Issa Sisdoh's rise to stardom

Issa Sisdoh’s soulful journey of healing through music

Botswana has found its new musical sensation in Issa Sisdoh, a captivating young artist whose melodies transcend mere entertainment, becoming a powerful conduit for healing and spiritual connection.

Her music isn’t just about showcasing immense talent; it’s a calling, creating a safe space for solace, particularly through the spiritual guidance of Badimo (traditional healers).

Issa Sisdoh’s breakthrough track, “Vuma Dlozi,” is a collaborative marvel with Ancestral Rituals, a duo renowned for their evocative Sangoma beats, vibrant colors, intricate neckpieces, and resonant drums. This song is a truly captivating blend of spirituality and rhythm, offering a deeply enriching and introspective listening experience.

“Vuma Dlozi” is profoundly rooted in themes of ancestral connection and cultural heritage, acting as a vibrant bridge between the past and the present. It invites listeners on an emotive journey of self-discovery, seamlessly fusing Afro-soul and deep house. Its entrancing beats, ambient soundscapes, and haunting melodies draw listeners into a ritualistic rhythm, beautifully reflecting the spiritual themes woven into its narrative.

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Issa-3-1024x1024-600x600 Issa Sisdoh's rise to stardom

This week, Issa Sisdoh is reaping the well-deserved fruits of her labor as “Vuma Dlozi” makes significant waves in the highly competitive South African music market. It’s a challenging feat for any song from Botswana to penetrate such a saturated landscape, yet “Vuma Dlozi” has worked its magic, and by all indications, this is just the beginning of its global ascent.

According to Spotify South Africa, “Vuma Dlozi” has soared into the Top 10 songs in the country, swimming alongside major hits like “Isaka,” “Uzizwa Kanjani,” “iMali,” and “Abantwana Bakho.”

Issa Sisdoh also excitedly shared that the song is dominating Channel O, with its compelling music video securing a spot in the Top 10, a dream come true for the artist. The visual spectacle has already clocked an astonishing 100,000 views on YouTube in just two weeks since its upload.

Further cementing its status as one of Southern Africa’s biggest current songs, the South Africa Charts recently listed “Vuma Dlozi,” noting it has amassed an incredible 10 million streams. The official audio on YouTube alone has garnered 9 million views, underscoring the track’s immense popularity and widespread appeal.

To bring her powerful music even closer to her rapidly growing fanbase, Issa Sisdoh has been making impactful appearances at various social events across both Botswana and South Africa. She’s graced stages at events like the Corona Sunset Session, Toropa ya Muka, and numerous high-end nightlife venues in Gaborone.

Issa Sisdoh’s consistent dedication and hard work are clearly yielding extraordinary results. Her relentless drive to promote “Vuma Dlozi” everywhere she goes is paying off, and her rise to stardom is a testament to her talent and unwavering commitment.

Issa-1024x1024-600x600 Issa Sisdoh's rise to stardom